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・ Karl Gützlaff
・ Karl H. Borch
・ Karl H. Müller
・ Karl H. Pribram
・ Karl H. Timmermann
・ Karl H. Vesper
・ Karl H. Wiik
・ Karl Haagensen
・ Karl Haas
・ Karl Haas (conductor)
・ Karl Haberstock
・ Karl Hack
・ Karl Hackett
・ Karl Haendel (artist)
・ Karl Hagedorn
Karl Hagemeister
・ Karl Haglund
・ Karl Haitana
・ Karl Hajos
・ Karl Hals
・ Karl Hamann
・ Karl Hammer
・ Karl Hampe
・ Karl Hampton
・ Karl Hanft
・ Karl Hanisch
・ Karl Hanke
・ Karl Hankton
・ Karl Hannemann
・ Karl Hanover


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Karl Hagemeister : ウィキペディア英語版
Karl Hagemeister

Karl Hagemeister (12 March 1848, Werder - 5 August 1933, Werder) was a German landscape painter.
== Life ==
He was the son of a fruit grower and developed an early interest in nature from the forested, watery surroundings of his birthplace. He trained as a teacher in Köpenick, then went to teach elementary school in Berlin,〔(Hagemeister Archiv and Werkverzeichnis: Chronology )〕 where he caught the attention of landscape painter Ferdinand Bellermann, who saw him at work in Schönhausen Palace park.〔(Havelländische Malerkolonie: Brief biography )〕
Bellermann convinced Hagemeister to give up his plans to become a drawing teacher and be an artist instead, helping him to obtain a position in the studios of Friedrich Preller. From 1871 to 1873, he received classically-oriented training at Preller's Weimar Princely Free Drawing School,〔 where he was introduced to Philipp Otto Runge's ''Farbenkugel'' and Goethe's ''Theory of Colours'', both of which would heavily influence his thinking on the subject.
Beginning in 1873, he embarked on a long series of study trips, during which he became friends with Carl Schuch and, later, with Wilhelm Trübner. The three spent a year studying the Old Masters in the Netherlands, then Hagemeister went on to Italy, where he remained until 1876, when he returned to Werder.〔 Later, he would travel throughout Germany seeking subject matter and gradually began to include figures in his landscapes, employing maids and farmers as models.
In 1884, Schuch persuaded Hagemeister to accompany him on a trip to Paris, where they both received their first exposure to the Barbizon School. Unfortunately, this trip also ended their friendship; apparently because Schuch was jealous of the faster stylistic progress that Hagemeister was making.〔

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